I rewatched Wim Wender’s “Paris, Texas” recently. It’s been said (Roger Ebert maybe?) that any film with Harry Dean Stanton can’t be bad, but this one in particular was a tour de force performance by the actor. Set against the sweeping cinematographic grandeur of the southwestern US, with a screenplay penned by playwright Sam Shepard, and sublimely pu…
Keep reading with a 7-day free trial
Subscribe to The Rico Act to keep reading this post and get 7 days of free access to the full post archives.